I said, 'Have you read the books? I'm reading book two, and I don't see him in there.' She said, 'We're going to change that.' I said, 'You can't change it. I immediately called Sharon Klein at 20th. This should be a good move that will keep the TV show from running out of its source material too quickly. Given the wealth of pages to draw from, it seems as though The Passage will take its time unraveling the trilogy's first installment. Television is the right place to tell an epic story. Transitioning a book into a TV show is quite an undertaking and Gosselaar makes a salient point. Liz Heldens has taken information that was backstory in book three, and for some of the characters in book two, and brought it into the story that we're telling in the first season.Īccording to what Mark-Paul Gosselaar told Collider, The Passage is paving the way for multiple seasons to tell its story. We have taken the first quarter of the first book and we've made 10 episodes out of that. So, where do you start? How do you tell the story of what is happening in just those books, in the future? How did that begin? Trying to tell that story in 90 minutes for a film is nearly impossible. Specifically with The Passage, when you read the books, they're epic.
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